Architect: Michael Scott
Interior Access Open Hours Only

Busáras is one of the first post Second World War examples of the International Modern style in Europe. This thesis examines the design and significance of Michael Scott’s (1905-1989) most important work. Busáras was designed by Scott and his team of young architects and designers between 1945 and 1953. It was built against a background of public opposition which centred on the external appearance, function and excessive cost - over �1,000,000 before completion in 1953.

The design of Busáras was inspired by the work of Le Corbusier, notably the Maison Suisse (1930-31) and his use of elements like pilotis, glazed facades and a pavilionised top storey. One of the most important traits of Scott’s work is the integration of art and architecture and this is a key feature of Busáras. Scott always tried to incorporate art and sculpture into his buildings as he felt the different disciplines complemented each other. This interest in textures and colour represented a move away from the stark white modernism of the 1930s. This was also reflected in the interior design of the building with many different materials and surface finishes being used.

Michael Scott saw architecture as more than just the provision of a building’s fabric. He firmly believed that architects should share a common education with students of other artistic disciplines and should always try to incorporate works of art into their buildings. Scott hoped to see a time when students would pursue a common two year architecture course before branching out into product or furniture design or continuing on in architecture. Busáras was no exception - the artist Patrick Scott was a member of the architecture team and was responsible for designing the mosaics that decorate the building.